Lynch was hilarious. I thoroughly enjoyed him in spite of (or perhaps because of) the complete cunts who asked the most ridiculous questions possibly of all time. The best Qs and As were of the sort where an earnest young film enthusiast asked for Lynch’s opinion on their interpretation of one of his films (i.e., did Lynch think that Mulholland Drive was a symbolic representation of a vagina–this is barely an exaggeration). Lynch unfalteringly replied along the lines of "Absolutely not, you self-important moron" (again, barely an exaggeration), "as they say, if you want to send a message, go to Western Union."
Some of his most quotable moments included confirming that he would never release his films with a director’s commentary track as "talking while the film is running is just sacrilege." Later, when asked if his perspective on any of his films had changed over time, he said he hadn’t seen many of them lately, so over all his perspective had not changed, "with, of course, the exception of Dune…," at which point audience laughter drowned him out. [N.B. I had tried shouting out "Duuuuune" as per Hungbunny's request, but was, I suspect, not heard at the front of the room. Sad.]
A lot of the talk dealt with transcendental meditation, which he was there to promote. I’m sure Arlington will be interested to know that Lynch describes the negativity that is supposedly lifted during meditation as a "suffocating rubber clown suit," and coming from him, that’s fucking creepy. The bliss one then experiences he calls "the whole enchilada." Weirdly, Lynch manages to talk about the completely twat-like topic of meditation without sounding like a complete twat. In a town like this one (and I think this goes without saying, but I’ll say it), a talk on "TM" (cringe!) brings out hippies of the highest order. One obvious stoner in one of those knitted Guatemalan hats asked Lynch, to thunderous laughter, if he "like, sees anything" while meditating, "you know, like, visually."
Other good moments: "What do you think has unfolded from the Pabst Blue Ribbon subculture?" "Darkness and confusion," and "In Mulholland Drive, when we see the box and the key, I mean, what the hell are the box and the key? Are they…I mean, I have been wondering this since 2001. What are they?" "I don’t have a clue what they are."
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